It's a beautiful moment. When I got the call to be part of this momentous occasion tonight and the request was to write a piece that was inspired by a written word, this felt very apt. As long as we stick to that principle, I think that's the vision. The orchestra just rehearsed his new piece for the first time on Thursday, it's called I can. We should mention too that I Can, this new work also is credit offered in the program to orchestrator Matt Wong. Jon: In the spirit of sharing a little of the backstory behind this piece, I want to share a poem that I wrote. 3. It takes active participation to do that. Take care. Conductor Anthony Parnther is also out on the stage now with the rest of the Gateways Music Festival Orchestra. 3 in C Minor and James V. Cockerhams Fantasia on Lift Every Voice and Sing. Now we're so pleased to welcome to the Carnegie Hall microphones, Maestro Anthony Parnther. I'm from the South, and I'm from the Baptist Church tradition, and. is a work for piano and orchestra called I Can. I'm sure she wouldn't mind me telling her age. 560 Music Center. Before everyone dressed all in black, second half, everybody has a splash of color. Featuring Johannes Brahmss Variations on a Theme by Haydn in B-flat Major, Op. You've been in the Gateways Orchestra since the start. The conclusion of seven days of performances in New York City. It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from, . Enjoy the show. She's a person that no one really says no to. Gateways Music Festival is grateful to the following institutions for their generous support and belief in Gateways important mission. Jeff: The Gateways Music Festival Orchestra from Carnegie Hall Live. They're equally important to us. 3 in C Minor and Sinfonia No. There were two halves to the concert, obviously before and after intermission. The Brahms to begin, and then the Variations on "Lift Every Voice and Sing" to conclude and in between, four works by four composers of African descent that even if they weren't world premieres like Jon Batiste's work, were the first time they were being heard on the Carnegie Hall stage. . It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. We should mention too that. 3, which has a little more of a modernist aspect to it, at least at the beginning, although the texture clears out a little bit as the piece goes along. SAHAM. They'll open the second half of the program with a big work by prolific American composer, Florence Price. I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. Jeff: The ensemble taking center stage is part of the Gateways music festival, a larger organization dedicated to providing a community and a performance hope for classical musicians of African descent. We know that it is, and that's what we're doing. WEDNESDAY, APRIL 20, 2022 | 7:30 PM The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nation's foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. Alex: Not since the start, but since 2001. That was cemented well before I became involved. We had to really be on our feet, go with Jon wherever he decided to go at any given minute. Female Speaker: Okay. Then we'll proceed into the piece, I Can. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the . Jeff: From Carnegie Hall Live, the Symphony No. The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. John: A terrific program today bookended by two sets of variations. Jeff: How was putting that piece together because it was put together pretty much in New York, I think? Not surprisingly, he will be the piano soloist in that piece. At least that's the case with her first, third, and fourth symphony. What does it mean to have you and your colleagues in this place at this time? To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. We'll hear her Symphony No.3, one of more than 300 compositions of hers, symphonies, concerto, chamber music, and choral music, most of which were lost for decades. This is Carnegie Hall Live. The Brahms is a set of variations that are primarily based on toying around with the melody, but Walker toys around with interval and rhythm in a very particular way with a much more sense of harmony. We are going to hear the world premiere of I Can. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . Our thanks to Clive Gillinson and the staff at Carnegie Hall, the WQXR recording crew, Edward Haber, George Wellington, Irene Trudel, Duke Marcos, and our production team. It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall. Also at home playing classical music he has performed with the Orchestra of St. Luke's, Rochester Philharmonic, Buffalo Philharmonic Orchestra, the Gateways Music Festival Orchestra, and the Colour of Music Festival Orchestra. Search University of South Carolina University of South Carolina Navigation. Since then, musicians have been eagerly performing this real treasure trove of music. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. We understand its importance, so that's really significant. The Gateways Music Festival, in association with Eastman School of Music, runs from Tuesday, August 6 through Sunday, August 11. This is a guy, Jeff, who is having a moment. It's our greatest cultural export as a nation. Press Room. THE COOPER UNIONFrederick P. Rose Auditorium41 Cooper Square (3rd Avenue at East 7th Street) New York, NY 10003. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. George Walker composed it in 2003. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. The Walker in its own way is a set of variations as well. Jeff: A great big deep bow and a warm welcome to this Carnegie Hall audience. Thank you, gentlemen. We are going to hear the world premiere of. Click on individual event for more information and to purchase tickets. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. A great big deep bow and a warm welcome to this Carnegie Hall audience. . As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. The orchestra comes together and you just dig into the music. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. It was wonderful to see you turn and conduct the audience in that final piece as well. The Gateways Music Festival Orchestra made its Carnegie Hall debut on Sunday afternoon, April 24, with conductor Anthony Parnther (far right) and Grammy Award-winning pianist Jon Batiste (in gold). Featuring five of Gateways most popular pianists performing works by Black and other composers. Price, Corey Hunter, PhD*General admission. I'm sure she wouldn't mind me telling her age. That was my first Gateways. What does it mean to have you and your colleagues in this place at this time? That was my first Gateways. The chairs can be adjusted and the Brahms piano can be pushed out. Today, 110 years later, another African American orchestra is making its first appearance on the stage of Carnegie Hall. Can you distinguish for us the difference between the festival proper and the festival orchestra? It opens up all these realms of possibility. Here are your tickets. Guest engagements include Chicago Sinfonietta, the Chamber Orchestra of New York, the Colour of Music Festival Chamber Orchestra, Richmond Symphony, and the Gateways Music Festival. Berry holds a B.M. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. 4/25/2022 12:00 AM. Adults: $20 | Seniors and Students: $15 | Children/Youth (Under 18): Free, ABYSSINIAN BAPTIST CHURCH132 W 138th StreetNew York, NY. conducting engagements include the Los Angeles Philharmonic, Philadelphia Orchestra, Atlanta Symphony, Chineke! Media Contacts: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Jessica Kaufman, Eastman School of Music, 585-274-1057, jkaufman@esm.rochester.edu After a highly successful 2019 season, Gateways Music Festival in association with Eastman School of Music, announced today it will become an annual event starting in the fall of 2020. Gateways Music Festival Orchestra was founded in 1993 by prominent pianist and educator Armenta Adams Dumisani. Before everyone dressed all in black, second half, everybody has a splash of color. What was the idea there? Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. I asked him what was it like to be at Carnegie Hall. Conductor Anthony Parnther is also out on the stage now with the rest of the Gateways Music Festival Orchestra. The project sought to, " . The role this hall plays in this music is understood by all. We had to really be on our feet, go with Jon wherever he decided to go at any given minute. Thank you!!! He resides in Los Angeles and Palm Springs. I should have asked you that before this began, but I'll lay it on you anyway. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. John: I Can, the name of that piece. Lee Koonce: Armenta Hummings Dumisani, I think the term force of nature was created for her. Experience the rich sounds of the @gateways_music orchestra on Wednesday, April 20 at @EastmanTheatre for free. As soon as we hear that cord progression, our congregation stands, and we sing. She climbed Mount Kilimanjaro five years ago. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. I just thought that it was so beautifully executed. Accuracy and availability may vary. It is his voice. Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. Bach to the Future will perform with the Gateway Festival Orchestra 7:30 PM, Sunday July 10, Washington University Brookings Quadrangle. The concerts are free to attend. This is the intermission of this concert, the Gateways Music Festival Orchestra. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. Alex: The role this hall plays in this music is understood by all. Does that resonate with you? Gateways Orchestra concert, 4:00 p.m. at Kodak Hall at Eastman Theatre on Sunday, August 11, $15 for adults, $10 for students and senior citizens with ID, and free for youth under 18. Thank you, gentlemen. I think we rose to the occasion. That's a big step for us as well. The work we'll hear today is a bigger piece by George Walker, his Sinfonia No. Backstage at Carnegie Hall, I'm Jeff Spurgeon. 3. Over the course of each six-day festival, the musicians give a full orchestral . Jon Batiste & the Gateways Festival Orchestra. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. She created Gateways. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. Free, but tickets are required.. Alcohol served. PO Box . . In addition to this, the festival includes 27 performances this week, chamber music, lectures, a screening of a film, panel discussions. John: Can you distinguish for us the difference between the festival proper and the festival orchestra? Black Lives Matter. Gateways Music Festival is grateful to the following institutions, foundations and governmental agencies for their generous support of the 2022 Gateways Music Festival. To come to a place where there are folks who've had a shared life experience, it's extraordinary for them. Enjoy the show. The Walker in its own way is a set of variations as well. This is the intermission of this concert, the Gateways Music Festival Orchestra. You have to make it true. BRUNO WALTER AUDITORIUMNEW YORK LIBRARY FORTHE PERFORMING ARTSLincoln Center111 Amsterdam AvenueNew York, NY. You can hear that the audience, again, willing to go there and applaud each of the musicians as they stand. Not since the start, but since 2001. Okay. ICS was also the ensemble in residence at the 2010 and 2013 Southampton Arts Festival in Long Island, New York. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. I'll share it with you now. Absolutely. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Exhausting, but exciting. In NYC, five of New York Citys premier venues welcome Gateways ensembles and guest artists. Jeff: That's more than 20 years now. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. See locations and times below. It's available to this art form too if it wants to. I think that's really a significant thing that's happening right now in real-time. Congratulations. Jeff: Now, we spoke with Lee Koonce, who is the president and artistic director of the Gateways Music Festival, whom we had a chance just to say what Jon Batiste's piece that he had heard, and what we could expect. The festival originated in Winston-Salem and then moved with our founder, Armenta Hummings Dumisani to Eastman where she was on faculty. Celebrating classical musicians of African descent. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. This is Carnegie Hall Live, I'm Jeff Spurgeon joined by my colleague, John Schaefer. Paul Burgett was a leader in classical music. I agree with you when I saw the program that had been given to me. In 2009, some people were renovating an abandoned house outside of Chicago, lo and behold, they discovered all of these manuscripts and it turned out that it was not all, but most of Florence Price's compositions. It's intermission at the Carnegie Hall debut concert of the Gateways Music Festival Orchestra. He has premiered and recorded works by Anthony Davis, George Walker, Errollyn Wallen, John Wineglass, Gary Powell Nash, Marian Harrison, Renee Baker, James Wilson, Phillip Herbert, Daniel Kidane, Chanda Dancy, and James Newton. I wonder if in working with them now if any vision has occurred to you? He also told us they want to be a resource for the larger community. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. This was a real challenge, but a little bit of everything. "The first time I played in an all-Black orchestra was at . I can play gospel. I think also really significant for us is this is the first time that the orchestra or the festival has toured, has branched out of being in one place. , the name of that piece. It's full orchestra and piano and just him. A very gala-feel to this event. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nations foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. There was this outpouring of interest from all over the country. She was part of the inaugural class of the Artist Propulsion Lab at WQXR. General Admission. General Admission. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. It's this kind of dual mission. Our mentor's other vision was that the Black community in particular, all communities but the Black community needs to see people of African descent up on the stage playing this music and it's about representation. She had this great idea to provide a safe affirming space for classical musicians of African descent. Special guest Denyce Graves, mezzo-soprano The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. John: Another curtain call for Conductor Anthony Parnther. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. . John Schaefer's here as well. The Gateways Music Festival Orchestra from Carnegie Hall Live. Because of limited seating capacity in the Hatch Hall, we urge you to get your tickets as soon as possible. Thank you so much. General Admission. I wonder if in working with them now if any vision has occurred to you? 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